【经典电影】《窈窕淑女》（my fair lady）英文台词

第一幕
Freddy, go and find a cab.
Do you want me to catch pneumonia?
Don't just stand there, Freddy.
Go and find a cab.
All right, I'll get one.
Look where you're goin', dear.
Look where you're goin'!
I'm so sorry.
Two bunches o' violets trod in the mud.
A full day's wages.
-Freddy, go and find a cab.
-Yes, Mother.
He's your son, is he?
If you'd done your duty
as a mother should...
...you wouldn't let 'im spoil a poor girl's
flow'rs and run away without payin'.
Go about your business, my girl.
And you wouldn't go off
without payin', either.
Two bunches o' violets trod in the mud.
Sir, is there any sign of it stopping?
I'm afraid not. It's worse than before.
If it's worse, it's a sign it's nearly over.
Cheer up, Capt'n,
buy a flow'r off a poor girl.
I'm sorry, I haven't any change.
I can change 'alf a crown.
Take this for tuppence.
I told you, I'm awfully sorry.
Wait a minute.
Oh, yes. Here's three ha' pence,
if that's any use to you.
Thank you, sir.
You be careful.
Better give 'im a flower for it.
There's a bloke here behind that pillar...
...takin' down every blessed word
you're sayin'.
I ain't done nothin' wrong
by speakin' to the gentleman.
I've a right to sell flow'rs
if I keep off the curb.
I'm a respectable girl, so help me.
I never spoke to him except to ask him
to buy a flow'r off me.
-What's the bloomin' noise?
-A tec's takin' her down.
I'm makin' an honest livin'.
Who's doing all that shouting?
Sir, don't let 'im charge me.
You dunno what it means to me.
They'll take away me character
and drive me on the streets...
...for speakin' to gentlemen.
There, there. Who's hurting you,
you silly girl? What'd you take me for?
On my Bible oath, I never spoke a word.
Shut up! Do I look like a policeman?
Why'd ya take down me words?
'Ow do I know you took me down right?
You just show me
what you wrote ab'ut me.
That ain't proper writin'. I can't read it.
I can.
'"l say, Capt'n,
now buy a flow'r off a poor girl.'"
Oh, it's cause I called him '"Capt'n.'"
I meant no 'arm. Sir, don't let him lay
a charge against me for a word like that.
I'll make no charge.
Really, sir, if you are a detective...
...you needn't protect me
against molestation from young women...
...until I ask you.
Anyone could tell the girl meant no harm.
He ain't no tec. He's a gentleman.
Look at his boots.
How are all your people down at Selsey?
Who told you my people
come from Selsey?
Never mind, they do.
How do you come to be up so far east?
You were born in Lisson Grove.


Listen to them one at a time.
Must l? I'm really quite done up
for one morning.
Your name, please?
Your name, miss?
My name is of no concern to you
whatsoever.
One moment, please.
London is gettin' so dirty these days.
I'm Mrs. Pearce, the housekeeper.
Can I help you?
Good morning, missus.
I'd like to see the professor, please.
Could you tell me what it's about?
It's business of a personal nature.
One moment, please.
-Mr. Higgins?
-What is it, Mrs. Pearce?
There's a young woman
who wants to see you, sir.
A young woman?
What does she want?
She's quite a common girl, sir.
Very common indeed.
I should've sent her away, only I thought...
...you wanted her to talk
into your machine.
-Has she an interesting accent?
-Simply ghastly.
Good. Let's have her in.
Show her in, Mrs. Pearce.
This is rather a bit of luck.
I'll show you how I make records.
We'll set her talking, then I'll take
her down first in Bell's Visible Speech...
...then in broad Romic.
Then we'll get her on the phonograph...
...so you can turn her on when you want
with the written transcript before you.
This is the young woman, sir.
Good mornin', my good man.
Might I 'ave a word with you?
Oh, no. This is the girl
I jotted down last night.
She's no use. I got the records I want
of the Lisson Grove lingo.
I won't waste another cylinder on that.
Be off with you. I don't want you.
Don't be so saucy.
You ain't 'eard what I come for yet.
Did you tell 'im I come in a taxi?
Nonsense. Do you think a gentleman
like Mr. Higgins cares...
...what you came in?
Oh, we are proud.
He ain't above givin' lessons, not 'im.
I 'eard 'im say so.
I ain't come here to ask
for any compliment...
...and if my money's not good enough,
I can go elsewhere.
Good enough for what?
Good enough for you.
Now you know, don't ya?
I'm come to 'ave lessons.
And to pay for 'em, too, make no mistake.
Well!
And what do you expect me to say?
Well, if you was a gentleman,
you might ask me to sit down, I think.
Don't I tell you I'm bringin' you business?
Should we ask this baggage to sit down...
...or shall we just throw her
out of the window?
I won't be called a baggage.
Not when I've offered to pay like any lady.
What do you want, my girl?
I want to be a lady in a flow'r shop...
...'stead of sellin' at the corner
of Tottenham Court Road.
But they won't take me
unless I can talk more genteel.
He said 'e could teach me.
Well, 'ere I am ready to pay 'im.
Not asking any favor
and he treats me as if I was dirt.
I know what lessons cost as well as you do
and I'm ready to pay.


I'm a good girl, I am.
And I know what the likes of you are, I do.
We want none of your slum prudery here,
young woman.
You've got to learn to behave
like a duchess.
Take her away, Mrs. Pearce.
If she gives you any trouble, wallop her.
I'll call the police, I will.
I've got no place to put her.
Well, put her in the dustbin.
Come, Higgins, be reasonable.
You must be reasonable,
Mr. Higgins, you must.
You can't walk over everybody like this.
I?
Walk over everybody?
My dear Mrs. Pearce, my dear Pickering,
I had no intention of walking over anybody.
I merely suggested we should be kind
to this poor girl.
I didn't express myself clearly
because I didn't wish to hurt her delicacy...
...or yours.
But, sir, you can't take a girl up like that...
...as if you were picking up
a pebble on the beach.
Why not?
Why not? But you don't know
anything about her.
What about her parents?
She may be married.
Garn!
There. As the girl
very properly says, '"garn! '"
Who'd marry me?
By George, Eliza...
...the streets will be strewn
with the bodies of men...
...shooting themselves for your sake
before I'm done with you.
I'm goin'.
He's off his chump, he is.
I don't want no balmies teachin' me.
Mad? All right, Mrs. Pearce,
don't order those new clothes.
-Throw her out.
-Stop! I won't allow it.
Go home to your parents, girl.
I ain't got no parents.
She ain't got no parents. What's the fuss?
Nobody wants her. She's no use
to anyone but me. Take her upstairs!
What's to become of her?
ls she to be paid anything?
Do be sensible, sir.
What'd she do with money?
She'll have food and clothes.
She'll drink if you give her money.
You are a brute! It's a lie!
Nobody ever saw the sign o' liquor on me.
Sir, you're a gentleman.
Don't let 'im speak to me like that!
Does it occur to you, Higgins,
the girl has some feelings?
No, I don't think so.
No feelings we need worry about.
Well, have you, Eliza?
I got me feelings same as anyone else.
Mr. Higgins, I must know on what terms
the girl is to be here.
What'll become of her
when you've finished teaching?
You must look ahead a little, sir.
What'll become of her if we leave her
in the gutter, Mrs. Pearce?
That's her own business,
not yours, Mr. Higgins.
When I'm done, we'll throw her back.
Then it'll be her own business again.
That'll be all right, won't it?
You've no feelin' 'eart in ya!
You don't care for nothin' but yourself.
I've 'ad enough of this. I'm goin'!
You ought to be ashamed of yourself!
Have some chocolates, Eliza.
'Ow do I know what might be in 'em?
I've 'eard of girls bein' drugged


I shall catch me death.
Come along now.
Come along.
Take your clothes off.
Come on, girl, do as you're told.
Take your clothes off.
Here, come on. Help me take these--
Take your hands off me!
I'm a good girl, I am!
It ain't right! It ain't decent!
Get your hands off me!
I'm a good girl, I am!
Forgive the bluntness,
but if I'm to be in this business...
...l shall feel responsible for the girl.
I hope it's clearly understood that
no advantage is to be taken of her position.
What, that thing? Sacred, I assure you.
Come now, you know what I mean.
This is no trifling matter.
Are you a man of good character
where women are concerned?
Have you ever met a man of good
character where women are concerned?
Yes, very frequently.
I haven't. The moment I let a woman
make friends with me...
...she becomes jealous, exacting...
...suspicious and a damned nuisance.
The moment that I make friends with
a woman I become selfish and tyrannical.
So here I am, a confirmed old bachelor
and likely to remain so.
Well, after all, Pickering....
'"l'm an ordinary man
'"Who desires nothing more
'"Than just an ordinary chance
'"To live exactly as he likes
'"And do precisely what he wants
'"An average man, am I
'"Of no eccentric whim
'"Who likes to live his life
'"Free of strife
'"Doing whatever he thinks is best for him
'"Oh, just an ordinary man
'"But let a woman in your life
'"And your serenity is through
'"She'll redecorate your home
From the cellar to the dome
'"Then go on to the enthralling fun
of overhauling you!
'"Let a woman in your life
'"And you are up against a wall
'"Make a plan and you will find
She has something else in mind
'"So rather than do either
You do something else that neither
'"Likes at all!
'"You want to talk of Keats or Milton
'"She only wants to talk of love
'"You go to see a play or ballet
'"And spend it searching for her glove
'"Let a woman in your life
'"And you invite eternal strife
'"Let them buy their wedding bands
'"For those anxious little hands
'"l'd be equally as willing
For a dentist to be drilling
'"Than to ever let a woman in my life!
'"l'm a very gentle man
'"Even-tempered and good-natured
Whom you never hear complain
'"Who has the milk of human kindness
By the quart in every vein
'"A patient man am I
Down to my fingertips
'"The sort who never could
Ever would
'"Let an insulting remark escape his lips
'"A very gentle man
'"But let a woman in your life
'"And patience hasn't got a chance
'"She will beg you for advice
Your reply will be concise
'"And she'll listen very nicely
'"Then go out and do precisely
What she wants!
'"You were a man of grace and polish
'"Who never spoke above a hush
'"Now all at once you're using language
'"That would make a sailor blush
'"Let a woman in your life
'"And you're plunging in a knife!
'"Let the others of my sex
'"Tie the knot around their necks
'"l'd prefer a new edition
Of the Spanish lnquisition
'"Than to ever let a woman in my life
'"l'm a quiet-living man
'"Who prefers to spend the evenings
'"ln the silence of his room
'"Who likes an atmosphere as restful
'"As an undiscovered tomb
'"A pensive man am I
Of philosophic joys
'"Who likes to meditate, contemplate
'"Free from humanity's mad, inhuman noise
'"A quiet-living man
'"But let a woman in your life
'"And your sabbatical is through
'"ln a line that never ends
Come an army of her friends
'"Come to jabber and to chatter
And to tell her
'"What the matter is with you!
'"She'll have a booming, boisterous family
'"Who will descend on you en masse
'"She'll have a large, Wagnerian mother
'"With a voice that shatters glass!
'"Let a woman in your life
'"l shall never let a woman...
'"...in my life! '"

第三幕
Get out of 'ere. Jamie, you get out, too!
Come on, Doolittle. And remember,
drinks is to be paid for or not drunk.
Thanks for your 'ospitality, George.
Send the bill to Buckingham Palace.
Well, Alfie, there's nothin' else to do.
I guess it's back to work.
Work! Don't you dare mention
that word in my presence again.
Look at all these poor blighters down here.
I used to do that sort of thing once.
Just for exercise.
It's not worth it. Takes up your whole day.
Don't worry, boys.
We'll get outta this somehow.
How do you think you'll do that?
How? Same as always.
Faith, hope and a little bit o' luck.
'"The Lord above gave man an arm of iron
'"So he could do his job and never shirk
'"The Lord above gave man
an arm of iron, but
'"With a little bit o' luck
With a little bit o' luck
'"Someone else'll do the blinkin' work!
'"With a little bit
'"With a little bit
'"With a little bit o' luck
You'll never work
'"The Lord above made liquor
for temptation
'"To see if man could turn away from sin
'"The Lord above made liquor
for temptation, but
'"With a little bit o' luck
With a little bit o' luck
'"When temptation comes
you'll give right in.
'"With a little bit
'"With a little bit
'"With a little bit o' luck
You'll give right in.
'"Oh, you can walk the straight and narrow
'"But with a little bit o' luck
you'll run amuck!
'"The gentle sex was made
for man to marry
'"To share his nest
and see his food is cooked
'"The gentle sex was made
for man to marry, but
'"With a little bit o' luck
With a little bit o' luck
'"You can have it all and not get hooked.
'"With a little bit
'"With a little bit
'"With a little bit o' luck


这个不错，必须顶！求发邮箱～864482532@qq.com

The mail, sir.
Pay the bills and say no to the invitations.
You simply cannot go on
working the girl this way.
Making her say her alphabet
over and over...
...from sunup to sundown,
even during meals.
You'll exhaust yourself. When will it stop?
When she does it properly, of course.
Is that all, Mrs. Pearce?
There's another letter from the
American millionaire, Ezra D. Wallingford.
He still wants you
for his Moral Reform League.
Throw it away.
It's the third letter he's written you.
You should at least answer it.
All right, leave it on the desk, Mrs. Pearce.
I'll try and get to it.
If you please, sir. There's a dustman
downstairs, Alfred P. Doolittle...
...who wants to see you.
He says you have his daughter here.
I say!
Well, send the blackguard up.
He may not be a blackguard, Higgins.
Nonsense. Of course
he's a blackguard, Pickering.
I'm afraid we'll have some trouble
with him.
No, I think not. Any trouble to be had,
he'll have it with me. Not I with him.
Doolittle, sir.
-Professor Higgins?
-Here!
Where?
Good morning, Governor.
I come about a very serious matter,
Governor.
Brought up in Houndslow.
Mother Welsh, I should think.
What is it you want, Doolittle?
I want my daughter, that's what I want.
See?
Of course you do.
You're her father, aren't you?
I'm glad to see you have a spark
of family feeling left.
She's in there. Yes, take her away at once.
What?
Take her away. Do you think I am going
to keep your daughter for you?
Now, is this reasonable, Governor?
Is it fairity to take advantage
of a man like that?
The girl belongs to me. You got 'er.
Where do I come in?
How dare you come here
and attempt to blackmail me!


You sent her here on purpose!
Don't take a man up like that, Governor.
The police shall take you up.
This is a plan...
...a plot to extort money by threats.
I shall telephone the police.
Have I asked you for a brass farthin'?
I leave it to this gentleman 'ere.
Have I said a word about money?
Well, what else did you come for?
What would a bloke come for?
Be 'uman, Governor.
Alfred, you sent her here on purpose.
So help me, Governor, I never did.
How did you know she was here?
I'd tell you, Governor,
if you'd let me get a word in.
I'm willing to tell ya.
I'm wanting to tell ya.
I'm waiting to tell ya!
You know, Pickering, this chap's got
a certain natural gift of rhetoric.
Observe the rhythm
of his native woodnotes wild.
'"l'm willing to tell you. I'm wanting
to tell you. I'm waiting to tell you.'"
That's the Welsh strain in 'im.
How did you know Eliza was here
if you didn't send 'er?
Well, she sent back for her luggage
and I got to 'ear about it.
She said she didn't want no clothes.
What was I to think from that, Governor?
I ask you, as a parent, what was I to think?
So you came here to rescue her
from worse than death, eh?
-Yes, sir, Governor. That's right.
-Yes.
Mrs. Pearce!
Eliza's father has come to take her away.
Give her to him, will you?
Now wait a minute, Governor.
Wait a minute.
You and me is men o' the world, ain't we?
Men of the world, are we?
Perhaps you'd better go, Mrs. Pearce.
I think so indeed, sir!
Here, Governor.
I've took a sort of a fancy to you and...
...if you want the girl, I ain't so set
on 'avin' her home again...
...but what I might be open to
is an arrangement.
All I ask is my rights as a father.


...he could choose between a seat in
the Cabinet and a popular pulpit in Wales.
-We'd better give 'im a fiver.
-He'll make bad use of it, I'm afraid.
Not me, Governor, so 'elp me I won't.
Just one good spree
for meself an' the missus...
...givin' pleasure to ourselves
and employment to others.
An' satisfaction to you to know
it ain't been throwed away.
You couldn't spend it better.
This is irresistible. Let's give 'im ten.
The missus wouldn't have the 'eart
to spend ten.
Ten pounds is a lot o' money.
Makes a man feel prudent-like,
and then goodbye to 'appiness.
No, you just give me what I ask, Governor.
Not a penny less, not a penny more.
I rather draw the line at encouraging
this sort of immorality.
Why don't you marry that missus of yours?
After all, marriage isn't so frightening.
You married Eliza's mother.
Who told you that, Governor?
Well, nobody told me.
I concluded, naturally....
If we listen to this man for another minute
we'll have no convictions left.
-Five pounds, I think you said.
-Thank you, Governor.
Are you sure you won't have ten?
No. No, perhaps another time.
I beg your pardon, miss.
I won't say those ruddy vowels
one more time.
Blimey, it's Eliza.
I never thought she'd clean up
so good-looking.
She does me credit, don't she?
What are you doin' here?
Now, you hold your tongue and don't
you give these gentlemen none o' your lip.
If you have any trouble with 'er,
give 'er a few licks o' the strap.
That's the way to improve 'er mind.
Well, good morning, gentlemen.
Cheerio, Eliza.
There's a man for you.
A philosophical genius of the first water.
Write to Mr. Ezra Wallingford
and tell him...
...if he wants a lecturer, to get in touch
with Mr. Doolittle...
...a common dustman, one of
the most original moralists in England.


What did he come for?
Say your vowels.
I know me vowels.
I knew 'em before I come.
If you know them, say them.
Ahyee, e, iyee, ow, you.
A, E, l, O, U.
That's what I said. Ahyee, e, iyee, ow, you.
That's what I've said for three days
an' I won't no more.
I know it's difficult, Miss Doolittle,
but try to understand.
There's no use explaining.
As a military man you should know that.
Drilling is what she needs.
Leave her alone or she'll turn to you
for sympathy.
Very well, if you insist,
but have a little patience with her.
Of course.
Say '"A.'"
You ain't got no 'eart, you ain't.
I promise you, you'll say your vowels
correctly before this day is out...
...or there'll be no lunch,
no dinner, and no chocolates.
'"Just you wait, 'Enry 'lggins
Just you wait
'"You'll be sorry
But your tears will be too late
'"You'll be broke and I'll have money
Will I help you? Don't be funny!
'"Just you wait, 'Enry 'lggins
Just you wait
'"Just you wait, 'Enry 'lggins
Till you're sick
'"And you screams
To fetch a doctor double-quick
'"l'll be off a second later
And go straight to the theater
'"Ho, ho, ho, 'Enry 'lggins
Just you wait!
'"Just you wait
Until we're swimmin' in the sea
'"And you get the cramp
a little ways from me
'"When you yell you're gonna drown
I'll get dressed and go to town
'"Just you wait!
'"One day I'll be famous
I'll be proper and prim
'"Go to St. James so often
I will call it St. Jim
'"One evening the king will say
'Oh, Liza, old thing
'"'l want all of England your praises to sing
'"'Next week on the th of May
'"'l proclaim Liza Doolittle Day
'"'All the people will celebrate
the glory of you
'"'And whatever you wish and want
I gladly will do'
'"'Thanks a lot, King,' says I
in a manner well-bred
'"'But all I want is 'Enry 'lggins' 'ead'
'"'Done!'
'"Says the king with a stroke
'"'Guard, run and bring in the bloke'
'"Then they'll march you, 'Enry 'lggins,
to the wall
'"And the king will tell me:
'"'Liza, sound the call'
'"As they raise their rifles higher
'"l'll shout: 'Ready, aim, fire!'
'"Ho, ho, ho, 'Enry 'lggins, down you go
'"Just you wait! '"

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第四幕
All right, Eliza, say it again.
'"The rine in Spine...
'"...stais minely in the pline.'"
'"The rain in Spain
stays mainly in the plain.'"
Didn't I saiy that?
No, Eliza, you didn't '"saiy'" that.
You didn't even '"say'" that.
Every night before you go to bed,
where you used to say your prayers...
...l want you to say:
'"The rain in Spain
stays mainly in the plain.'"
Fifty times.
You'll get much further with the Lord
if you learn not to offend His ears.
Now for your '"H's.'"
Pickering, this is going to be ghastly.
Control yourself, Higgins.
Give the girl a chance.
I suppose you can't expect her
to get it right the first time.
Come here, Eliza, and watch closely.
Now, you see that flame?
Every time you pronounce the letter '"H'"
correctly the flame will waver...
...and every time you drop your '"H'"
the flame will remain stationary.
That's how to know
you've done it correctly.
In time, your ear will hear the difference.
You'll see it better in the mirror.
Now listen carefully.
'"ln Hartford, Hereford and Hampshire...
'"...hurricanes hardly ever happen.'"
Now you repeat that after me.
'"ln Hartford, Hereford and Hampshire,
hurricanes hardly ever happen.'"
'"ln 'artford, 'ereford and 'ampshire
'urricanes 'ardly hever 'appen.'"
Oh, no, no!
Have you no ear at all?
-Should I do it over?
-No, please.
Start from the very beginning.
Just do this.
Go on, go on.
Does the same thing hold true in lndia?
Have they the peculiar habit
of not only dropping a letter...
...but using it where it doesn't belong,
like '"hever'" instead of '"ever'"?
The girl, Higgins!
Go on. Go on.
''Poor Professor Higgins


were not in your mouth.
'"With blackest moss, the flower pots...
'"...were thickly crusted, one and all.'"
Each word, clear as a bell.
'"With blackest moss the flower...
'"...pots.'"
I can't!
I can't!
I say, Higgins, are those pebbles
really necessary?
If they were necessary for Demosthenes
they are necessary for Eliza Doolittle.
Go on, Eliza.
'"With the blackest moss the flower pots...
'"...were thickly crusted one and--'"
I can't understand a word, not a word.
'"With blackest moss, the flower pots...
'"...were thickly crusted, one and all.'"
Perhaps the poem is
a little too difficult for the girl.
Why don't you try something simpler,
like The Owl and the Pussycat?
Yes, that's a charming one.
Pickering, I can't hear a word
the girl is saying!
What's the matter?
I swallowed one.
It doesn't matter. I've got plenty more.
Open your mouth. One, two....
''Quit, Professor Higgins
'"Quit, Professor Higgins
'"Hear our plea, or payday we will quit
'"Professor Higgins!
'"'Ay' not 'l', 'O' not 'ow'
'"Pounding, pounding in our brain
'"'Ay' not 'l', 'O' not 'ow'
'"Don't say 'rine' say 'rain''"

第五幕
'"The rain in Spain...
'"...stays mainly in the plain.'"
I can't!
I'm so tired!
I'm so tired.
For God's sake, Higgins,
it must be : in the morning.
Do be reasonable.
I am always reasonable.
Eliza, if I can go on
with a blistering headache, you can.
I got a 'eadache, too.
I know your head aches.
I know you're tired.
I know your nerves are as raw
as meat in a butcher's window.
But think what you're trying to accomplish.
Just think what you're dealing with.
The majesty and grandeur
of the English language....
It's the greatest possession we have.
The noblest thoughts that ever flowed
through the hearts of men...
...are contained in its extraordinary,
imaginative...
...and musical mixtures of sounds.
And that's what you've set yourself
out to conquer, Eliza.
And conquer it you will.
Now try it again.
'"The rain in Spain...
'"...stays mainly in the plain.'"
What was that?
'"The rain in Spain...
'"...stays mainly in the plain.'"
Again.
'"The rain in Spain
stays mainly in the plain.'"
I think she's got it.
'"The rain in Spain
Stays mainly in the plain
'"By George, she's got it
By George, she's got it
'"Now once again
Where does it rain?
'"On the plain, on the plain
'"And where's that soggy plain?
'"ln Spain, in Spain
'"The rain in Spain
Stays mainly in the plain
'"The rain in Spain
Stays mainly in the plain
'"ln Hartford, Hereford and Hampshire
'"Hurricanes hardly happen
'"How kind of you to let me come
'"Now once again
Where does it rain?