“今年恰逢白兰度的百岁诞辰，我读了两篇文章，发现它们都很令人厌恶。而且这种死后的封圣使其成为神话，”现年67岁的克里斯托弗·瓦尔兹告诉Interview杂志(与卡莱伯·兰德里·琼斯对话)，“这很荒谬，因为他是个夸张做作的演员(Because he was a ham)。”

“Now it’s Brando’s 100th birthday. I read two articles and I found them both really annoying, and this posthumous sanctification […] to make him […] a mythology,” Waltz told Interview magazine while in conversation with Caleb Landry Jones. “And it’s ridiculous, because he was a ham.”

Waltz added of Brando, “In the beginning he was fantastic. No one had ever seen anything like it.”
However, Waltz also called Brando’s performance in “The Missouri Breaks” “difficult to watch.” He added that Brando’s reputation of being “difficult” on sets, or accusations of inappropriate conduct on the set of “The Last Tango in Paris,” did not affect his perspective on Brando’s acting ability.

马龙·白兰度:
《码头风云》获得第27届奥斯卡最佳男主角奖
《教 父》获得第45届奥斯卡最佳男主角奖
克里斯托弗·瓦尔兹:
《无//耻 混//蛋》获得第82届奥斯卡最佳男配角奖
《被解救的姜戈》获得第85届奥斯卡最佳男配角奖

“瓦叔”刚谈到白兰度时表示其一开始时给人的感觉棒极了，闻所未闻，见所未见(In the beginning he was fantastic. No one had ever seen anything like it)；但之后又称白兰度在《大峡谷》中的表演“糟糕透顶/difficult to watch”。

而在Jones提到白兰度在片场“难以相处/difficult”的评价时.“瓦叔”补充说，白兰度在片场“难以相处”的名声，或者在《The Last Tango in Paris》拍摄期间被指控行为不当等等问题，均未影响其对白兰度表演能力的看法。

瓦叔还认为白兰度是一个很自私的人，并以《大买卖》幕后举例:
Jones said, “I know people say he’s ‘difficult’ and all, but I don’t know if the folks he was working with were always ready to… There’s that great YouTube video behind the scenes of ‘The Score’ with [Robert] De Niro and Brando doing a few takes in a row, and Brando’s just grasping at straws for anything that’s alive, anything that wasn’t his. Maybe it’s selfish for Brando to work this way.”

业内人的看法

白兰度人品真的差到极致

垃圾白兰度

很遗憾 白兰度就是神话 有本事去把教父全球封掉

不认同，人品差是人品，而且这玩意本身见仁见智，比如马拉多纳人品也不咋地但也有人觉得马拉多纳人品可以，更多是媒体八卦。马龙白兰度能在演员里享有盛名还是因为出色的演技，和马拉多纳在足球运动员里差不多，更别说教父是永恒的经典，要说死后封神比白兰度这种氵的多了去了

白兰度挺传奇的一生。就是都是些烂事。

用个人戏外私生活去否定演员成就是有失偏颇的，白兰度可以去批判的应该就是他的职业态度，比如不背词、欺负女演员、身材控制混乱这种