【James】James携新片《127小时》参加美国特鲁莱德电影节

这篇是James参加美国的特鲁莱德电影节（Telluride Film Festival），和记者问答环节的原文及本人的翻译，相关的照片在另一帖子里。与记者的问答都是围绕着影片127hours展开的。很期待丹尼博伊尔的这部新片，希望这部片能再续《贫民窟的百万富翁》的辉煌，也希望James能因此好好的为大家熟知，神啊，请让James成为好莱坞一线吧！！！这么多年了~~~

What was your method for getting into doing the big amputation scene?
记者问：请问你用了什么方法来使自己能更好的表演出影片中截肢的这重要一幕。
We did that one in a similar way to how we did a lot of the more physical scenes. It was a paradigm set up early on, where we shot in order, so one of the first scenes we did was right after the boulder has fallen on my arm and I try to pull it out with brute strength. Before we did that, [director Danny Boyle] said, “I’m just going to turn the camera on, and just go and don’t stop.” I said, “OK… I’m good with that, I’ll beat myself up, that’s fine. You just better get it.” And Danny said the take was 22 minutes. So I was beat up, I was deep purple all over [my upper arms and shoulder]. And that’s where it clicked for Danny. So that take, that became the model for how we would do a lot of those scenes.
我们拍摄这一幕时所采用的方法其实和我们之前拍的实体场景很相似。我们的拍摄是按照顺序来的，所以这一幕拍摄的手法其实在之前就已经设定好一定的模式了。在第一幕中，我们安排了在巨石滚落压在我的手臂上后，我就使劲的想把手从缝隙里边拉出来。在我们拍摄之前，（导演丹尼博伊尔）说：“我现在去把摄影机打开，你接着使劲不要停下来。”我说：“好的，我就擅长做这个。我会使劲的折腾我自己的。没事，你拍就行了。”然后丹尼说这个镜头要拍22分钟。所以我就不停的折腾啊挣扎啊，我这都全青紫了（我的上手臂和肩膀）。这一幕给了丹尼很好的灵感。所以这一幕的拍摄给我们后面的拍摄提供了很好的范例。【可怜的詹...只希望电影成功，那就都值得了~】

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How did it work then with when you had to sever your arm?
记者问：当年割断手臂的时候，你们用了什么道具来协同拍摄？
It was the same thing with the arm. It was set up in such a way that under the skin [of the fake arm], it was this incredibly detailed muscle and veins and nerves, so I could just go. Because of the nature of these new digital cameras called SR2Ks that are hooked up to wires that run to computers, all the operator had to hold was this tiny camera. You could do stuff that you can’t do with a regular handheld film camera. So they could really go anywhere and I could just do these long takes. And because there were really no other factors in those scenes, it became a performance with the DP in some way. We were both just finding the movie as we went. And the other great thing about long takes is, Danny cut it frenetically, but within those short pieces you get a more authentic life because when you act—after a minute, or certainly after five minutes of just really trying to do a physical task—you just forget the movie or anything outside, and you’re really just engaged with the task. I did everything and then he didn’t call cut, so I just kept going.
是有用一条跟真手臂几乎一样的假手臂。在那条假手臂的皮肤下有设计得非常精细真实的肌肉组织，血管和神经，所以我就想着去截断它就好了。因为SR2K这种新的数码摄影机可以和电脑上的线架连接在一起，所以所有的操作人员都只需要拿着这种很小的摄像机。你得忙很多事，所以你很难用那种常规型的手持型电影摄像机。所以他们可以到处走，而我只能一直停在那拍一遍又一遍很长很长的镜头。而且因为在这些镜头里也没有别的东西，表演似乎和数据分析有那么点类似了。当我吗在拍摄时我们都一直在感知这一部电影。在拍摄这一些长镜头时，还有件很值得一提的事是，丹尼非常的喜欢喊cut,但是通过这些断断续续的片段，我们得到了更加生活化的东西，因为在你表演的时候，当你真正的完成一件肢体上的动作的一分钟或是确切的五分钟后，你会忘记你是在拍电影，以及眼前拍摄电影之外的东西，你会真正的投入到你目前的拍摄的任务中去。后来，我在镜头前拍摄着每一个镜头，然后他都没有喊cut，这样我就能一直接着拍摄下去。

Danny said that Aron Ralston, whose ordeal provided the basis for the movie, would never answer the question of whether he actually jerked off while stuck down there. Did putting that in the story feel true to you?
记者问：丹尼说真正经历过这一痛苦经历，并为你们提供故事背景的Aron Ralston（James在电影中扮演的人物的原型），绝不会回应有关于他是否真的在被限于险境时进行自（我）慰的行为的问题。你觉得在电影中安排这样的桥段对你来说是真实必要的吗？
He’s kind of a gentleman, I guess he doesn’t talk about that stuff. [laughs] I think he also didn’t want his mom to read it.
他真的是一位很有绅士风度的人，我认为他没有说这些事情。（James坏笑）我想他并不想他母亲会读到这些内容。