北美票房榜吧 关注：188,915贴子：9,129,903
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《舞女大盗》原文简译
影史上的这类型电影大多不怎么卖座，还出过《yan舞女郎》和《striptease》这样的扑街作品，少数卖座的例外包括《魔力麦克》（虽然这其实不是舞“女”电影。。。）
基于一篇杂志专题报道，《舞nv大盗》将舞nv电影和犯罪题材相结合，讲述了一个金融危机时期针对华尔街客户的犯罪故事。该片原本由Annapurna制作，但考虑到海外的卖相匮乏，制作被搁置，且没有其他大公司接盘，最后落到了STX手上。STX认为该片具有在女性群体中大卖的潜力。
《舞nv大盗》的题材和多元化的卡司使其在先期社交媒体上成功吸引了LG BTQ群体以及少数族裔群体的热度，多伦多电影节首映时不错的口碑也为其开画进行了加持。最终，该片北美开画3310万美元，创下了STX历史记录，也是主演JLo真人电影的最高记录。
为了配合JLo的排期，STX以29天工期2000万的成本赶制出此片。资金短缺的STX为了凑足制作和宣发成本，还以1000万美元卖出了大部分海外市场的发行权。此外，JLo通过降薪的方式换得分红，事实证明她赌对了。
STX花了3800万宣发，主要营销目标为女性群体。宣发相当成功，该片成为STX历史票房第二高，为濒临倒闭的STX算是打了一剂强心针
影史上的这类型电影大多不怎么卖座，还出过《yan舞女郎》和《striptease》这样的扑街作品，少数卖座的例外包括《魔力麦克》（虽然这其实不是舞“女”电影。。。）
基于一篇杂志专题报道，《舞nv大盗》将舞nv电影和犯罪题材相结合，讲述了一个金融危机时期针对华尔街客户的犯罪故事。该片原本由Annapurna制作，但考虑到海外的卖相匮乏，制作被搁置，且没有其他大公司接盘，最后落到了STX手上。STX认为该片具有在女性群体中大卖的潜力。
《舞nv大盗》的题材和多元化的卡司使其在先期社交媒体上成功吸引了LG BTQ群体以及少数族裔群体的热度，多伦多电影节首映时不错的口碑也为其开画进行了加持。最终，该片北美开画3310万美元，创下了STX历史记录，也是主演JLo真人电影的最高记录。
为了配合JLo的排期，STX以29天工期2000万的成本赶制出此片。资金短缺的STX为了凑足制作和宣发成本，还以1000万美元卖出了大部分海外市场的发行权。此外，JLo通过降薪的方式换得分红，事实证明她赌对了。
STX花了3800万宣发，主要营销目标为女性群体。宣发相当成功，该片成为STX历史票房第二高，为濒临倒闭的STX算是打了一剂强心针
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一天一个，今天的任务完成了
《安娜贝尔3》DL原文
After basically furnishing the dollhouse by writing the first two Annabelle films from a pitch by The Conjuring creator James Wan to hatch a prequel, screenwriter Gary Dauberman got his chance to make his directing debut on the third installment of the fright franchise. Back for a cameo are perennially haunted paranormal investigators Ed and Lorraine Warren, with a haunted house, their daughter, a babysitter and the title doll. For our purposes, the results were robust — $231.2 million in worldwide box office — though not equal to the other films in the wildly profitable franchise. Maybe it was too much Conjuring, as Annabelle Comes Home released one year after the 2018 spinoff The Nun, or maybe it was the way that Disney frightfully suffocated early summer rivals with Aladdin and Avengers: Endgame. Fans didn’t like Home as much as previous sequel Creation, giving the latest movie 2 1/2 stars on Comscore/Screen Engine’s PostTrak to its predecessor’s 4 stars. Still, Annabelle Comes Home was one of the few horror movies to work at last year’s global box office.
Even though Annabelle Comes Home is at the bottom of The Conjuring film line, the sequel was a cash cow for New Line thanks to a low production costs of $27M before P&A. Participations of $10M, much of that to producer Wan, are also a factor. Total global revenues across all ancillaries were $207M, yielding a net profit of $64M. That’s below The Conjuring ($161.7M in profit), The Nun ($155M in profit), Annabelle: Creation ($108.7M profit) and The Conjuring 2 ($98.3M profit).
After basically furnishing the dollhouse by writing the first two Annabelle films from a pitch by The Conjuring creator James Wan to hatch a prequel, screenwriter Gary Dauberman got his chance to make his directing debut on the third installment of the fright franchise. Back for a cameo are perennially haunted paranormal investigators Ed and Lorraine Warren, with a haunted house, their daughter, a babysitter and the title doll. For our purposes, the results were robust — $231.2 million in worldwide box office — though not equal to the other films in the wildly profitable franchise. Maybe it was too much Conjuring, as Annabelle Comes Home released one year after the 2018 spinoff The Nun, or maybe it was the way that Disney frightfully suffocated early summer rivals with Aladdin and Avengers: Endgame. Fans didn’t like Home as much as previous sequel Creation, giving the latest movie 2 1/2 stars on Comscore/Screen Engine’s PostTrak to its predecessor’s 4 stars. Still, Annabelle Comes Home was one of the few horror movies to work at last year’s global box office.
Even though Annabelle Comes Home is at the bottom of The Conjuring film line, the sequel was a cash cow for New Line thanks to a low production costs of $27M before P&A. Participations of $10M, much of that to producer Wan, are also a factor. Total global revenues across all ancillaries were $207M, yielding a net profit of $64M. That’s below The Conjuring ($161.7M in profit), The Nun ($155M in profit), Annabelle: Creation ($108.7M profit) and The Conjuring 2 ($98.3M profit).
