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陈奕迅《浮夸》背后的故事
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陈奕迅自爆弱点不够自信 靠浮夸吸引人注意
2005年07月12日 09:05
中新网7月12日电 据香港媒体报道，陈奕迅(Eason)日前为新歌《浮夸》拍MV，这首由C.Y.Kong创作的歌曲，原来背后有一个故事，当初C.Y.作这首歌本是献给好友张国荣(哥哥)，内容是不明白他为何要自寻短见？
九月十二日是哥哥生忌，哥哥生前曾和C.Y.合作，C.Y.很欣赏哥哥，为悼念故友，特别写了首歌纪念哥哥，并将构思告诉Eason，由于Eason本身亦很仰慕哥哥的才华，遗憾两人从没有合作机会，故亦赞成C.Y.的构思，不过，当歌曲交给黄伟文(Wyman)填词时，Wyman认为这首歌绝对是Eason风格，不赞成歌曲用哥哥做主题。
引人注意
结果Wyman根据Eason给他的感觉，填了《浮夸》歌词，讲一个没自信的男人为求令人注意，动作、行为都很浮夸，Eason亦觉得歌词一针见血写出自己的缺点，他说：“我虽然音乐上自信心好大，但事情判断上没信心，所以平日会做一些动作引人注意。”
而拍摄MV当日，导演为营造阴暗和不见天日的感觉，拍摄时没开大光灯，连叫cut机后都没开灯，搞到Eason起身时几乎摔倒，令工作人员紧张一场。而Eason这张加盟新艺宝后首张推出的大碟，销量已突破四万张，成绩十分突出。
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回复：陈奕迅《浮夸》背后的故事
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链接：转自jojo留言本
陈奕迅最近出版了一张新专辑《u-87》，里面收录了C. Y. Kong作曲、黄伟文作词的一首作品《浮夸》，有香港荣迷在C. Y. Kong的网页上发现了他自己记录的、创作这首曲子的过程，原来，这曲子是他在2003年4月1日，刚听到哥哥不幸的消息时写下的，表达了他震惊、不解、痛苦的心情，他给这曲子起的名字是Depression；后来陈奕迅为他的新专辑选中了这首曲子，但是其他的制作者都不想再沿用C. Y. Kong本来的主题，觉得太沉重了；梁荣骏表示希望C. Y. Kong给曲子改个名字，于是C. Y. Kong把它写成了dps；在黄伟文填词之后，C. Y. Kong也觉得，这已经是完全另外的作品了，不过他的这首创作对荣迷来说还是有着特殊的意义的。
05. 浮夸 (Depression / DPS)
Music: C. Y. Kong | Lyrics: 黄伟文 Wyman Wong | Arrange: C. Y. in London
Produced by Alvin Leong
Co-produce/Production Coordinator: Stanley Leung
Synths, Cubase Programming, Vocoding & PC Manipulation: C.Y. Kong
Drums : Davy Chan
Bass : Sai Wai 细威
Guitar : Ah Yin 亚贤
Chorus : Patrick Lui
Music recorded & spiced at 12/46 London by C.Y. in London
Guitar, Bass & Drums recorded at Avon Studios by David Sum
Vocals & Chorus recorded at Avon Studios by David Sum & Ah Cheung 亚祥
Mixed & Mashed at nOiz by Simon Li
Comments:
This was written the night of April 1st, 2003. It was called Depression in the 1st place.
A feeling of, like I wanted to ask ""why?"" or ""why does one has to commit suicide"". I pictured that you see this spirit of the person somewhere around, and you so wanted to ask him why he"s gone, or doesn"t he know there"re so many people who care for him still. Hence there is this ghostly synth sound in the song.
Eason picked this song quite early in 2004. Actually it was Hilary who heard it first and asked him to have a listen. He liked the key change and the style. We always talked about - this style of arrangement is what C.Y. does instead of oh this sounds very Faye Wong / Leslie Cheung styles - afterall, those Faye/Leslie songs were my songs/arrangements!
So it was not until January 2005 that we started planning on getting this into the studio.
Alvin asked me to change the working title, because he doesn"t want to be reminded of the word ""Depression"" so I changed the working title to DPS.
Obviously, they didn"t want to go for my original idea about talking to the dead, it"s way to heavy. Originally, Eason called me, he was at Beijing at the time, he said he started writing some words for the song. I encouraged him to continue. Wyman was supposed to help him if he gets stuck.
But in the end, I think he just couldn"t find the time to finish off what he wrote, so Wyman wrote the final lyrics.
At 1st, I was a little worried/confused, it"s
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回复：陈奕迅《浮夸》背后的故事
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那天晚上打开播放器听到前奏的瞬间,就好象再一次被拉到了那一天~~尽管另填了词~~但曲子里的那种悲伤让我很想哭泣~
始终固执地认为C.Y.Kong的作品能演绎好并能表现出其精髓的只有哥哥和阿菲两人~
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回复：陈奕迅《浮夸》背后的故事
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曲子一开头...整个人都沉下来了~
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回复5：陈奕迅《浮夸》背后的故事
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同意~~~~
人都跟着他疯了~~~
哭了
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回复：陈奕迅《浮夸》背后的故事
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同意,前奏直敲心理..
整个曲给人的感觉,确实很悲..
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